If you want your production looking its best, color correction and grading are a must. Working in Blackmagic's DaVinci Resolve, I'm drawing on more than a decade of practice that started with Apple's Color, Premiere Pro's effects library, and Adobe's eventual inclusion of Lumetri Color to achieve your stylized vision. Moving my color workflow to Resolve has been supported by taking two color correction courses at Maine Media Workshops + College. My current setup includes a Tangent Wave 2 control panel, Blackmagic UltraStudio 4K Mini, a BenQ SW271 for program feed, and BenQ EW3270U 32" 4K reference monitor for visiting collaborators.